The Other Side of Animation: Cam's Eye View's Animation Reviews & Editorials

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!) With animation becoming more of a big deal in the film industry, I think it would be cool to see some directors known for their live-action dramas, horror, action, romance, and indie films try to tackle animation. I mean, how cool would it be to see QuentinTarantino make an animated action flick? Or how about James Wan make an animated horror film, or the Duffer Brothers make an animated sci-fi film? When I got more into films, I found an early love for Wes Anderson, for his unique stories and characters. It’s why I was amazed to see that he made an animated film based on the book by Roehl Dahl, Fantas

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!) As many other animation critics have pointed out, this year produced a huge abundance of films, a majority of them pretty much in the same ballpark. Variety is the spice of life, and yet even seeing how financially successful animated films have been this year, they tend to stay in the realm of brightly colored, celebrity-riddled, and fast-paced comedies. Not that this can’t be a good thing since a lot of great animated films use all three elements, like 2014’s best animated film, The LEGO Movie , but it would be nice for animation studios to take different steps and diversify themselves. So many studi

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!) Welcome back to Hit-or-Miss Movie Predictions! This is where I give my first impressions of upcoming animated films, and point out the good, the bad, and the interesting. In the end, I shall predict if it will be a hit, a miss, or something different altogether. To me, and I will repeat this for my Worst to Best list, 2016 has been an amazing year for animation. It’s easily one of the strongest years for certain companies like Disney and Pixar, but the indie scene has also been quite satisfying, with films like Miss Hokusai and Long Way North . Yes, we have had some clunkers like Norm of the North

(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!) While I do think GKids is the best foreign/indie animation distributor, I wish more companies were like them. There are probably a slew of great foreign animated films, new and old, that we never get to see. It always seems like besides the stuff GKids brings over, companies will bring over the worst of the worst because they are cheap and won’t cost a lot to get some B or C-list celebrities to voice the characters. Not to say they are all utter schlock, but you have to look pretty hard to find one of these cheap films that are actually competent. Luckily, some companies still know quality when they se